Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Stognij, Irina Samojlovna | O tonal'noj semantike Passionov I.S. Baha. [About tonal semantics of Passions by J.S. Bach] |
[cr]Moskva2010 |
| | 2011 |
80-89 |
|
| 2. | Sidorova, Elena Viktorovna | O tipologii duhovnyh kantat I.S. Baha. [On the typology of sacred cantatas by J.S. Bach] |
[cr]Moskva2010 |
| | 2011 |
90-97 |
|
| 3. | Ûžak, Kiralina Iosifovna | I.S. Bah i G.F. Gendel': Dve koncepcii fugi. [J.S. Bach and Händel: Two concepts of a fugue] |
[cr]Moskva2010 |
| | 2011 |
98-113 |
|
| 4. | Prihod'ko, Igor' Mihajloviè | Funkcii golosa v klavirnoj fuge Vysokogo barokko. [Voice function in the High Baroque fugue clavier] |
[cr]Moskva2010 |
| | 2011 |
114-123 |
Latin 2 |
| 5. | Vâzkova, Elena Vasil'evna | Nekotorye nablûdeniâ nad tvorèeskim processom I.S. Baha v pozdnij period tvorèestva. [Some observations on J.S. Bach's creative process in his late period] |
[cr]Moskva2010 |
| | 2011 |
124-145 |
Latin 2 |
| 6. | Milka, Anatolij Pavloviè | O kompozicionnyh osobennostâh èakony I.S. Baha iz Partity d-moll dlâ skripki solo BWV 1004. [On compositional features of J.S. Bach's chaconne from the partita in D minor for solo violin, BWV 1004] |
[cr]Moskva2010 |
| | 2011 |
146-152 |
Latin 2 |
| 7. | Boèarov, Ûrij Semenoviè | Krivoe zerkalo bahocentrizma, ili Baroènaâ sûita po-tradicionnomu. [The distorting mirror of the Bach apotheosis or the traditional Baroque suite] |
[cr]Moskva2010 |
| | 2011 |
153-159 |
Latin 2 |
| 8. | Epišin, Aleksandr Vil'gel'moviè | 'Smešannyj vkus' v trio-sonatah I.S. Baha i G.F. Gendelâ. [Mixed taste in the trio sonatas by J.S. Bach and Händel] |
[cr]Moskva2010 |
| | 2011 |
160-177 |
Latin 2 |
| 9. | Esakov, Vâèeslav Vâèeslavoviè | Sonaty I.S. Baha dlâ klavira i skripki BWV 1014-1019: K voprosu o specifike ansamblevoj faktury. [J.S. Bach's sonatas for keyboard and violin, BWV 1014-1019: Specifics of the ensemble texture] |
[cr]Moskva2010 |
| | 2011 |
178-186 |
Latin 2 |
| 10. | Husainov, Igor' S. | Obligatnoe trëhgolosie v simfoniâh I.S. Baha. [Obligato three-part polyphony in J.S. Bach's sinfonias] |
[cr]Moskva2010 |
| | 2011 |
187-198 |
|
| 11. | Pankratov, Sergej Petroviè | Sonatnaâ forma u I.S. Baha. [Sonata form in J.S. Bach's compositions] [BWV 857] |
[cr]Moskva2010 |
| | 2011 |
199-212 |
Latin 2 |
| 12. | Malinkovskaâ, Avgusta Viktorovna | Opyt psihosemantièeskogo podhoda k voprosam vospriâtiâ Horošo temperirovannogo klavira I.S. Baha. [The psychosemantic approach to the perception of Bach's Das wohltemperirte Clavier] |
[cr]Moskva2010 |
| | 2011 |
213-227 |
Latin 2 |
| 13. | Alkon, Elena Meerovna | Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo] |
[cr]Moskva2010 |
| | 2011 |
228-243 |
|
| 14. | Caregradskaâ, Tat'âna Vladimirovna | I.S. Bah i massovaâ kul'tura vtoroj poloviny XX veka. [J.S. Bach and the popular culture of the second half of the 20th century] |
[cr]Moskva2010 |
| | 2011 |
244-250 |
|
| 15. | | I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ. [J.S. Bach, Georg Händel, Alessandro Scarlatti: Problems of studying the creative heritage] [conference I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ, in 2010 in Moscow] - Moskva: Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, 2011. 251p. |
[cr]Moskva2010 |
| | 2011 |
251p |
Latin 2 |