Bach Bibliography
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Series : ^[cr]Moskva2010$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Stognij, Irina SamojlovnaO tonal'noj semantike Passionov I.S. Baha. [About tonal semantics of Passions by J.S. Bach] [cr]Moskva2010 2011 80-89
2. Sidorova, Elena ViktorovnaO tipologii duhovnyh kantat I.S. Baha. [On the typology of sacred cantatas by J.S. Bach] [cr]Moskva2010 2011 90-97
3. Ûžak, Kiralina IosifovnaI.S. Bah i G.F. Gendel': Dve koncepcii fugi. [J.S. Bach and Händel: Two concepts of a fugue] [cr]Moskva2010 2011 98-113
4. Prihod'ko, Igor' MihajlovièFunkcii golosa v klavirnoj fuge Vysokogo barokko. [Voice function in the High Baroque fugue clavier] [cr]Moskva2010 2011 114-123 Latin 2
5. Vâzkova, Elena Vasil'evnaNekotorye nablûdeniâ nad tvorèeskim processom I.S. Baha v pozdnij period tvorèestva. [Some observations on J.S. Bach's creative process in his late period] [cr]Moskva2010 2011 124-145 Latin 2
6. Milka, Anatolij PavlovièO kompozicionnyh osobennostâh èakony I.S. Baha iz Partity d-moll dlâ skripki solo BWV 1004. [On compositional features of J.S. Bach's chaconne from the partita in D minor for solo violin, BWV 1004] [cr]Moskva2010 2011 146-152 Latin 2
7. Boèarov, Ûrij SemenovièKrivoe zerkalo bahocentrizma, ili Baroènaâ sûita po-tradicionnomu. [The distorting mirror of the Bach apotheosis or the traditional Baroque suite] [cr]Moskva2010 2011 153-159 Latin 2
8. Epišin, Aleksandr Vil'gel'moviè'Smešannyj vkus' v trio-sonatah I.S. Baha i G.F. Gendelâ. [Mixed taste in the trio sonatas by J.S. Bach and Händel] [cr]Moskva2010 2011 160-177 Latin 2
9. Esakov, Vâèeslav VâèeslavovièSonaty I.S. Baha dlâ klavira i skripki BWV 1014-1019: K voprosu o specifike ansamblevoj faktury. [J.S. Bach's sonatas for keyboard and violin, BWV 1014-1019: Specifics of the ensemble texture] [cr]Moskva2010 2011 178-186 Latin 2
10. Husainov, Igor' S.Obligatnoe trëhgolosie v simfoniâh I.S. Baha. [Obligato three-part polyphony in J.S. Bach's sinfonias] [cr]Moskva2010 2011 187-198
11. Pankratov, Sergej PetrovièSonatnaâ forma u I.S. Baha. [Sonata form in J.S. Bach's compositions] [BWV 857] [cr]Moskva2010 2011 199-212 Latin 2
12. Malinkovskaâ, Avgusta ViktorovnaOpyt psihosemantièeskogo podhoda k voprosam vospriâtiâ Horošo temperirovannogo klavira I.S. Baha. [The psychosemantic approach to the perception of Bach's Das wohltemperirte Clavier] [cr]Moskva2010 2011 213-227 Latin 2
13. Alkon, Elena MeerovnaIdeâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo] [cr]Moskva2010 2011 228-243
14. Caregradskaâ, Tat'âna VladimirovnaI.S. Bah i massovaâ kul'tura vtoroj poloviny XX veka. [J.S. Bach and the popular culture of the second half of the 20th century] [cr]Moskva2010 2011 244-250
15. I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ. [J.S. Bach, Georg Händel, Alessandro Scarlatti: Problems of studying the creative heritage] [conference I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ, in 2010 in Moscow] - Moskva: Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, 2011. 251p. [cr]Moskva2010 2011 251p Latin 2

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